Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?
Reality, Fiction, and Why I Keep on Writing
The post that follows first appeared on author-illustrator and long-time e-mail friend and colleague Elizabeth Dulemba's blog.
I got to meet Elizabeth in person when I spoke at Hollins University's Francelia Butler Conference last year. I'm reposting this piece here because I need to keep these things in mind as we embark upon a new year and the world seems to be plunging into ever greater chaos and cruelty. (More about Elizabeth Dulemba's Lady Liberty poster here.)
Power, Agency, and Life's Big Questions in Hearts Unbroken by Cynthia Leitich Smith
My friend and colleague Cynthia Leitich Smith has long been an articulate voice for change in the field of writing for young readers. Cyn is practically a publishing industry all by herself, with picture books, short stories, realistic novels, poetry, and an astonishingly comprehensive online archive of children’s and YA literature resources.
The Myth of Sculpted Whiteness
There's a color correction going on in archeological circles. I've been following it ever since I read a Smithsonian article about computer simulations revealing how the ancient Greeks might have painted their statues--in brilliant color! I've been heartened to see that this scholarship has not gone away. A New Yorker article brings polychromy into the present time.